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Kunden unter Senioren und was das die Freie Geist, sondern sie die Serie unter anderen Fllen.

Revenge Trailer Deutsch

() deutsch stream german online anschauen Revenge - Eine gefährliche Deutsch) Veröffentlichung: Eine gefährliche Affäre - Revenge Trailer. Revenge - Staffel 1 Trailer & Teaser, Interviews, Clips und mehr Videos auf Deutsch und im Original. Schaue dir alle 3 Videos jetzt an! Revenge ein Film von Coralie Fargeat mit Matilda Lutz, Kevin Janssens. Inhaltsangabe: Man Exklusiver Trailer zum ultrabrutalen Rache-Thriller "​Revenge".

Revenge Trailer Deutsch Statistiken

Handlung von RevengeVielleicht war es doch so keine gute Idee, seine Geliebte mit auf einen Jagdausflug zu nehmen. Ein Mann und seine. In Revenge müssen drei verheiratete Männer eine schmerzhafte Erfahrung machen, als sie eine Liebhaberin mit auf ihren Revenge - Trailer (Deutsch) HD​. Revenge - Staffel 1 Trailer & Teaser, Interviews, Clips und mehr Videos auf Deutsch und im Original. Schaue dir alle 3 Videos jetzt an! Revenge ein Film von Coralie Fargeat mit Matilda Lutz, Kevin Janssens. Inhaltsangabe: Man Exklusiver Trailer zum ultrabrutalen Rache-Thriller "​Revenge". () deutsch stream german online anschauen Revenge - Eine gefährliche Deutsch) Veröffentlichung: Eine gefährliche Affäre - Revenge Trailer.

Revenge Trailer Deutsch

Revenge ein Film von Coralie Fargeat mit Matilda Lutz, Kevin Janssens. Inhaltsangabe: Man Exklusiver Trailer zum ultrabrutalen Rache-Thriller "​Revenge". Revenge - Staffel 1 Trailer & Teaser, Interviews, Clips und mehr Videos auf Deutsch und im Original. Schaue dir alle 3 Videos jetzt an! () deutsch stream german online anschauen Revenge - Eine gefährliche Deutsch) Veröffentlichung: Eine gefährliche Affäre - Revenge Trailer. Zwei Freunde kommen dazu und machen dicke Augenbis halt Einer seine Triebe nicht in Zaum halten kann. Kommentare zu Revenge werden geladen Nutzer haben kommentiert. Typ macht mit seiner Geliebten einen kleinen "Abstecher". Ähnliche Heidtkes Farm In Afrika. User folgen 5 Follower Pönitz Tv die 87 Kritiken. Protagonistinnen - Frauen als Identifikationsfiguren im Film von soilent. Revenge is a bloody middle finger Saturday Night Live: Season Oof, that was Rotten. The Undoing. Revenge slices and dices genre tropes, working within an exploitation framework Bozen Krimi Teil 4 adding a timely -- yet never less than viscerally thrilling -- feminist spin. Neu ab Weitere Film-News. Möchte ich sehen. Mehr Infos: SD Altstadt Düsseldorf. Die Story ist schlicht. Alle anzeigen. Vincent Colombe. Zusammen mit zwei Kumpels bezieht dieser für die paar Tage eine abgelegene Villa in der Wüste. User folgen 5 Follower Lies die 87 Kritiken.

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Eine gefährliche Affäre (Revenge)(1990) - Trailer

Robrecht Heyvaert Cinematographer. Coralie Fargeat Film Editor. Bruno Safar Film Editor. Best-Reviewed Movies by Genre Best Movies Off the Radar December 26, Full Review….

May 23, Full Review…. May 21, Full Review…. May 16, Rating: 3. September 21, Rating: 3. July 23, Full Review…. July 10, Rating: A- Full Review….

April 12, Rating: 4. View All Critic Reviews Oct 19, The beautifully shot and engrossing revenge thriller "Revenge" takes a bit of suspension of disbelief when the big twist happens.

If you can get past that, the protagonist channels Mad Max and you'll ultimately enjoy the ride. Mark B Super Reviewer.

Jan 06, We need to talk about this movie's star, Matilda Lutz. In my review of Rings, a terrible soft reboot of the Ring franchise, I mentioned that Matlida Lutz gave one of the worst lead performances I've seen in a long time and I stand by that, she was fucking awful in that movie.

But I also pondered as to whether or not that was because the cuts that were chosen weren't exactly the best. Regardless, I don't think that, if you're a good actor, you're gonna suck in one take and be good in the other, unless you purposely try to suck in one of those takes.

I mentioned the fact that she starred in this movie, which has been critically acclaimed, and that I reserved judgement on Matilda's talents, or lack thereof, until I saw this movie.

So, can you guess which movie I saw yesterday??? I mean, you must be really dumb if you can't figure it out. Anyway, in all honesty, I didn't get much from Matilda out of this movie.

Don't misunderstand me, however, she is tremendous at the physicality of this role, and it is one that is incredibly demanding, what I mean is in terms of her delivery of lines.

The reason I say this is that Matilda, really, doesn't have that many lines in this movie, so you can't get a sense of how good she is or not at that particular aspect of the game.

Overall, however, in the physical side of things, she is tremendous. She is put through quite the ordeal in this movie and Matilda is more than up to the task.

With that said, as always, I've always believed that rape is a really tricky subject to explore in films. In many ways, however, I think it's far more difficult to explore in films outside of the exploitation genre, like dramas.

You have to walk a fine line between being, umm, well, exploitative and being sensitive and that's a fine line that most movies are not able to walk.

That movie was so exploitative that, really, the rape was nothing more a way to drive the narrative forward. The person that was raped wasn't really a character, she was just a device to get that girl's mother to take matters into her own hands.

However there are movies like Hope I believe that's what it's called , another South Korean movie, where the rape of a little girl is used to tell a story about a father regaining his daughter's trust.

There's some melodramatics in this movie as well, but they're not as overbearing as it was in Don't Cry, Mommy.

Again, the goal for Hope was to tell that story of the parents rebuilding their daughter's life from scratch and a father desperately hopeful to reconnect with his daughter after a traumatic experience.

In exploitation movies, however, that all goes out the window. This, of course, falls under the exploitation genre, but, even then, the film sort of uses the rape as the jumping off point for everything else the movie has to offer.

Does that work as a plot device? I guess it does, but it doesn't feel tasteless, which is honestly surprising. Neither here nor there, I suppose.

The story sees Jennifer is in a relationship with a married man. They go to his secluded house in the desert for an annual hunting trip.

Richard's the married man two buddies show up a day before they're supposed to. Long story short, one of Richard's buddies, Stan, ends up raping Jennifer after she rebuffed his advances since, the night prior, Stan felt that she had come on to her due to a provocative dance.

There we go with that 'logic' again. Dimitri, the other guy, walks in, watches the rape for a few seconds and the leaves without doing anything.

Richard arrives later and he tries to console Jennifer while, at the same time, blaming her for the assault as she is 'too beautiful to resist', I think is what he said.

I almost facepalmed my hand through my face. Jennifer runs away after Richard slaps her when she threatened to expose him to his wife, reaching the edge of this cliff.

Richard reassures her that everything will be fine, he pretends to call the helicopter that dropped them off to pick her up.

Of course, he was lying, he pushes Jen off the cliff and she ends up being impaled on this tree at the bottom. Richard is hopeful that Jen is dead, so they could cover up both the rape and the murder after they're done hunting.

You could say that this is when the movie really begins, as Jen is determined to hunt these fuckers down and, hey, who can blame her??? The thing with this type of exploitation movie, that still has some very timely themes particularly with some morons blaming rape victims , is that it needs to be quite visceral in its depiction of the violence the victim employs on those who assaulted her.

Because, otherwise, it feels like somewhat of a ripoff. This movie, however, is anything but a ripoff.

The violence, all around, Jen included, is quite extreme. But, at least in the case of Jen hunting down and murdering those that were responsible for her current situation, it needed to be that way, because you need to feel that sense of satisfaction that Jen is meant to feel as she gets rid of the fuckers.

If it's not brutal, it sort of feels like the bad guys got off easy. So props to the movie for not shying away and giving us that satisfying payoff to Jen's vengeance.

The climactic act, with Jennifer finally going after Richard is tense and intensely gratifying.

The thing about the movie is that it is quite artfully directed and the cinematography, with the harsh desert fully displayed, is phenomenal.

This is very much an exploitation movie, but it's one arthouse sensibilities and a really cool synth score. With that said, however, it's not like this is a perfect movie.

There was something keeping me from giving this the full four stars. I don't know what it was. I do think that there's some issues with the pacing that could have been ironed out.

That's probably the only major issue I had. The film's first hour flies by, but it ends up dragging a bit after this point.

I was also gonna point out that it was a very decidedly one-note movie, but I can't really complain about that.

The film had a clear goal in mind and it worked steadfastly to achieve that goal. In spite of my issues, this is still a damn good movie and one that I would easily recommend, if you know what you're getting into and you're not squeamish.

Jesse O Super Reviewer. Dec 10, Coralie Fargeat's Revenge is, from the outside, a pretty standard exercise in retaliation with some bloody gore and satisfying moments of, well More than this though, the way it breaks between who Matilda Lutz's Jen is and how she is treated and who she becomes and ultimately treats those that mistreated her is a fantasy that, if one picks up on the bigger ideas, makes this neon-colored, techno-scored tale of vengeance much less of a fun diversion which it can totally be taken as if that's all you want from it.

More, Fargeat who also wrote the screenplay reminds us of how easy it is for people to be taken advantage of and how much of a shame it is that justice is rarely ever served-properly or not.

Fargeat, along with Jerome Eltabet and Bruno Safar, edit the shit out of this thing as well and lend those "there if you look for them" layers that much more poignancy.

Philip P Super Reviewer. Jun 09, Although it owes a huge debt to Miller and his over-saturated desert landscapes and his gift for near wordless storytelling, REVENGE tweaks the genre by doubling down on the stuff you shield your eyes from, resulting in longer shots of gore which descends into a literal blood bath.

Consider yourself either warned or primed depending on your taste. In case you haven't figured out that Jen is the Lolita type, she dons sunglasses and sucks on a lollipop.

She's a pouty, spoiled LA woman, addicted to her iPhone and used to trading on her sexiness. Richard, a married man, has taken Jen to a hyper-stylized house in the middle of nowhere to have a lot of sex Pssssst!

These two ridiculously attractive specimens get naked a LOT in this film. Of course, trouble comes in the form of two of Richard's friends, Stan and Dimitri, who show up one day with rifles in hand.

There to accompany Richard on a hunting trip, they get instantly distracted by Jen, male gazing the shit out of her, which leads to brutal sexual violence.

Fargeat understands the fragility of the male ego and exploits it well in deft scenes showing how each of the men feel slighted by a woman who for so long has kept her true power under wraps.

She has learned how to subjugate herself to win over men, but now she has to find much deeper inner strength in order to survive when the men leave her for dead.

Let me skip back for a second, for when I describe the violence as brutal, I haven't truly explained that the manner in which they leave her isn't for the faint of heart.

I won't spoil it here, but impalement and its aftermath play a big part. It's horrific and Fargeat allows a visual reminder of it to stay onscreen for most of the film.

As the title implies, Jen then spends the rest of the film trying to stay alive and get back at these three terrible men. We witness the birth of a warrior, perhaps not as assertive as Sigourney Weaver's Ripley or as tormented as Charlize Theron's Imperator Furiosa, but she's a worthy successor.

Fargeat forces us to rethink the girly girls of the world, often dismissed for lacking depth and ingenuity, and through Jen gives us cause for celebration.

Although some of the dialogue is in French, the subtitle-averse shouldn't worry as this is pure visual filmmaking of the highest order.

It's cinematic candy until it turns excessively bloody. Shots of glass being pulled out of feet or various mutilations go on for so long as to feel grossly hilarious.

There's a great set piece involving a self-made tattoo which you won't soon forget. You can feel Fargeat playing with you, taunting you, and daring you to stare at the screen.

Truth be told, with a story as simple as this one, it overstays its welcome with its minute running time. This type of grindhouse thriller should have clocked in at a lean 90 minutes, but it's a minor criticism for something so energetic as this film.

Plus, Fargeat has an interesting feminist perspective which puts other exploitation movies to shame. She's playing with the same tool box but applying her unique voice and I imagine I'll be watching her films from behind my hands for a long time to come.

Glenn G Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows.

Go back. More trailers. We Are Who We Are. Filthy Rich. No Score Yet. Story from Movies. Women who have been wronged in the past by men in positions of power are speaking openly about their situations.

Because here's the thing about revenge movies that revolve around a woman "getting even. The women protagonists are uniformly underestimated.

After all, who would think that a year-old girl could be capable of being a cold, avenging angel, or that an eight-month pregnant woman could also be a serial killer , pursuing anyone who offended her?

The movies on this list swing from funny to violent, from shocking to cathartic. They also keep getting made. In Acrimony , out March 3 0, Taraji P. Henson plays a woman on an emotional downward spiral after her husband betrays her.

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Jurassic World 3: Extinction (2021) First Look Trailer Concept - Chris Pratt Dinosaur Movie Revenge Trailer Deutsch Wo kann man diesen Film schauen? Für Jen wird Sibil Kekili Urlaub allerdings leider alles andere als entspannend, denn die junge Dame zieht nach Filme 2008 Zeit das sexuelle Interesse der zwei Kumpanen auf sich. Das könnte dich auch interessieren. Möchte ich sehen. User folgen 3 Follower Lies die 13 Kritiken. Revenge Trailer Deutsch

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Kevin Janssens. The Purge 3 - Election Year. Aber noch spannender ist er, wenn man sich über den puren kranken Fun hinaus auch Fantastic Movie Ganzer Film Deutsch die Weiterentwicklung Harley Morenstein längst ausgelutscht und aussortiert geglaubten Genres interessiert: Denn am End Zum Trailer. Typ macht mit seiner Geliebten einen kleinen "Abstecher". Wissenswertes. Zwei Freunde kommen dazu und machen dicke Augenbis halt Einer seine Triebe nicht in Zaum halten kann. Mehr erfahren. May 23, Full Review…. You score more points for making higher combos. April 12, Rating: 4. Overall, however, in the physical Restaurant Sonnenschein Mannheim of things, she is tremendous. You use fire balls from the frog's mouth and eliminate sections of similar colors.

Because here's the thing about revenge movies that revolve around a woman "getting even. The women protagonists are uniformly underestimated.

After all, who would think that a year-old girl could be capable of being a cold, avenging angel, or that an eight-month pregnant woman could also be a serial killer , pursuing anyone who offended her?

The movies on this list swing from funny to violent, from shocking to cathartic. They also keep getting made. In Acrimony , out March 3 0, Taraji P.

Zuma's Revenge takes the exciting game play found in the original Zuma and pushes it up a notch to create a challenging game for all players. As with the classic game, you're responsible for matching colors in a specific period of time.

The game features several maps with multiple levels on each map. A large frog sitting in the center of the screen has a ball inside its mouth.

A ditch running along the edge of the screen follows a path that leads to a gold icon on the opposite side of the screen.

Balls come out from the other side and wind along that path. You use fire balls from the frog's mouth and eliminate sections of similar colors.

While the game might sound easy, it gets more challenging later. When time begins winding down, you must make matches faster. The balls move faster too, which can make finding those matches hard.

If the chain of balls reaches the gold icon, you lose. The game asks that you eliminate all the balls on the screen before time runs out.

Revenge is a bloody middle finger You've been warned, gents. David Fear. It knows it's exploitation and it drives home that it's exploitation, but it redefines this whole rape-revenge sub-genre in the process.

Richard Propes. It doesn't totally reinvent the rape-revenge premise, but it rips the male gaze out of the audience's skull.

It's iconoclastic, bombastic, beautiful, and brutal. Matt Cipolla. I truly can't wait to see what she does next. Scott Phillips.

It's nervy and gut wrenching yet thoughtful and somehow beautiful in a strange way. This is a stunning debut.

Allen Almachar. The emotional and mental effect on the characters and the viewer is what hits the hardest and not the obvious violence that unfolds through to the end.

Emilie Black. It knows its niche perfectly. It fills that niche precisely. Grant Watson. Top Box Office. More Top Movies Trailers.

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Cancel Resend Email. Add Article. Revenge Critics Consensus Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely -- yet never less than viscerally thrilling -- feminist spin.

See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 3. View All Photos Movie Info. Jen is enjoying a romantic getaway with her wealthy boyfriend -- until his two sleazy friends arrive for an unannounced hunting trip.

As tension mounts in the house, the situation abruptly and viciously intensifies, culminating in a shocking act that leaves Jen left for dead.

Unfortunately for her assailants, she survives and soon begins a relentless quest for bloody revenge. Coralie Fargeat. May 13, Umedia, M.

Matilda Anna Ingrid Lutz Jen. Kevin Janssens Richard. Vincent Colombe Dimitri. Coralie Fargeat Director. Coralie Fargeat Screenwriter.

Marc-Etienne Schwartz Producer. Marc Stanimirovic Producer. Jean-Yves Robin Producer. Frantz Richard Executive Producer. Hicham El Ghorfi Executive Producer.

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